Fashion + Textiles

Key Facts

Staff

Programme Overview

How to Apply

Institution Name: GSA
Institution Code: G43
UCAS Code:
W230 (Fashion Design)
UCAS Code:
W231 (Textile Design)

Award

BDes (Hons) Fashion and Textile Design. All GSA degrees are validated by the University of Glasgow, a Russell Group institution in the top 1% of the world’s universities.

Assessment

Coursework, essays, practical design projects. Formative assessments take place at key points throughout the year with summative assessments at the end of each academic year.

Facilities
Workshops for weave, print and dye knit, embroidery and CAD. In addition, each student has an individual workstation (with locker and storage space) within spacious design studios. Students in the department also have access to the Centre for Advanced Textiles (CAT) and digital jacquard weave.

Studio and Workshop Access
Studios are open from 8.00am - 9.00pm daily.
Workshops are supervised from 9.00 am - 5.00 pm daily.

Graduate Destinations include:
Margaret Muir, Habitat, Voyage Decoration, Richard Nicoll, Olmetta, Pattern, Acorn, Margartet Howell, PLAN, The Collection, Custo Barcelona, Phillip Treacy, Diesel, Wallpaper Magazine, Ford Motors, Hyundai, Alberta Feretti, Nokia. Several graduates have been awarded Nesta Pioneer Grants to develop their own businesses, such as Bebaroque.

Programme Leader
Jimmy Stephen-Cran

Tutors
Leigh Bagley
Elaine Bremner
Helena Britt
Susan Telford
Jo Barker
Shonagh Kay

 

Programme Overview

Textile design has been taught and researched at The Glasgow School of Art since it was founded in 1845 and today, the Department of Textiles enjoys a global reputation for cultivating assured graduates.

Our fashion and textile graduates have clear and individual creativity identities. They are able to position themselves and their ideas with knowledgeable authority in the fields of not only textiles and fashion but a range of other industries such as interior design, automotive industry and retail.

Students acquire a thorough understanding of the design process. They develop in-depth drawing and colour expertise alongside traditional craft skills, CAD and high end technologic equipment such as digital jacquard looms.

The resulting design work produced by our students is both seductive and unpredictable - diverse sources of starting and finishing points are always in evidence and the traditional craft skills and new technologies jostle with each other, sometimes embraced or rejected simultaneously, creating the most fascinating and exquisite hybrids.

With an international community of over 150 students at undergraduate and postgraduate level, the Department is a vibrant, lively and exciting place to study.

 

Forum for Critical Inquiry

A element of the programme is delivered by the Forum for Critical Inquiry (FoCI) The Forum is an essential component of the programme. For most of the four years of undergraduate programmes in design and fine art, one day per week of the student timetable is allocated to the Forum.  It is a cross-school and externally linked critical mass of diverse research expertise in broad-based critical studies for contemporary creative practices in design, art and architecture.

The range of teaching styles varies from traditional keynote lectures to interactive discussion groups and experiential learning. Courses are constructed in order to both underpin studio practice and to open out and extend the range of student research.

All students are required to attend lectures and discussion groups, to make oral presentations, to write essays and in the final year, to present a piece of personal research in the form of an Extended Essay (20% of the final degree mark) or a Dissertation (30% of the final degree mark).

Students requiring learning support are provided with additional teaching tailored to individual needs. Each student also has a departmental contact tutor who acts in an advisory and pastoral capacity in relation to progress in Forum for Critical Inquiry.