'And The Three Mothers Ask: Don't
You Know Me?'
Performance by Ruth Barker
Barker's performance finds resonances between Glob's ceramics and
artefacts encountered through the Centre for Indisciplinary
Artefact Studies (CIAS) at Newcastle University where the artist
has been in residence during 2010/11.
Specifically, the new work And The Three Mothers Ask: Don't You
Know Me? (2011) has emerged from a re-imagining of Romano-British
sculptural artefacts depicting the 'Deae Matres'; narratively
ambigious domestic deities often represented in triplicate, and
"distinguished by being depictions of women either nursing infants
or holding baskets of fruit, loaves, or other fertility symbols
such as fish." (Miranda Green, The Gods of Roman Britain, Shire
Archaeology 2003).
The performance consists of a poetic text, written by Barker,
which will be recited by the artist three times within the
exhibition space. The work re-suggests the Deae Matres as
contemporary phenomona, translating their attributes into vivid,
current, images that place locate the artist's gesture
simultaneously in registers both present and ancient.
In a recurring refrain the artist refers to the audience as being
'Forwarned in a dream;' a reference both to a commonly translated
Romano-British phrase referring to individuals 'contacted' by
deities, and to the experience of the audience themselves who, it
is suggested, may have previouly missed the Deae Matres' demands
for recognition.
The performance features a new bespoke garment designed by Lesley
Hepburn.
Ruth Barker is an artist based in Glasgow. Her performance work
involves scripting and memorising substantial literary monologues
that draw on classical or mythological narratives, but remake them
as resonant, current, events. She uses traditional techniques of
mnemonic and storytelling to create challenging new performance
works in a visual arts context.
This performance forms part of the exhibition 'The
Erratics.'