Ron Broglio
'Minor Art: Becoming-Animal' watch
video
What is an animal phenomenology? What is it like to be an
animal, not as observed from an objective perspective of natural
history but from under the fur of the beasts themselves? This
impossible limit to human knowledge serves as the starting point
for contemporary animal artists who slough off social values of
humanism in order to produce opaque objects that bear witness to
the other side of the animal-human divide. Through the method of
unfettered becoming-animal, minor art speaks from the minority
position of the nonhuman and so challenges the social values and
codes which legitimate humanist projects. This talk will examine
how artists create works in the "contact zones" with other species
and how theorists such as Jacques Derrida, Gilles Deleuze, Giorgio
Agamben, and Donna Harraway provide a language for approaching such
art.
Ron Broglio is an Assistant Professor at Georgia Institute for
Technology's School of Literature, Communication & Culture
where he teaches animal studies, literary theory, and British
Romantic period literature. His research focuses on how philosophy
and aesthetics can help us rethink the relationship between humans
and the environment. He is author of 'Technologies of the
Picturesque: British Art, Poetry and Instruments 1750-1830'
(Bucknell UP, 2008) and his current manuscript 'On the Surface:
Thinking with Animals and Art' is under review with the University
of Minnesota Press. Recent publications include: "'Living Flesh':
Human Animal Surfaces and Art" for the Journal of Visual Culture;
"Heidegger's Shepherd of Being and Nietzsche's Satyr" in New
Formations; and "Thinking about Stuff: Posthumanist Phenomenology
and Cognition" forthcoming in AI and Society. In 2009 will be
scholar and artist in residence at the University of Waterloo where
he will investigate the sensate world of cattle.
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