To Have a Voice
A group show offering the opportunity to explore contemporary
figurative painting, including works by Hernan Bas, Kaye
Donachie, Moyna Flannigan, Chantal Joffe, Bruno Pacheco, Gideon
Rubin and Lynette Yiadom-Boakye.
How can a contemporary artist give a voice or fresh perspective
to the established canon of figurative painting? Why do artists
choose to give a voice to the characters they create? 'To have a
voice' explores a variety of approaches.
The female protagonists of Moyna Flannigan's
paintings rise warrior-like out of the canvas, expressing character
and intent with an economy of brush stroke. At the opposite end of
the spectrum, Hernan Bas creates detailed and
vibrant settings for his male youths to inhabit. His greater body
of work also looks at gender and sexuality, in particular the role
of the 'dandy' as a motif of queer culture. Chantal
Joffe, a GSA graduate, paints mostly women and girls,
seeing it her role to question assumptions about what makes a noble
subject for art. Israeli artist Gideon Rubin
wishes to offer alternative ways to view the figure - in his
ongoing series of portraits all recognisable facial features are
removed. A painting installation by Portuguese artist Bruno
Pacheco offers different viewpoints of a guard observed in
Tiananmen Square. Lynette Yiadom-Boakye,
influenced by the history of European portraiture uses this
framework to create a new art history of Africans and people of
African descent in painting. Reminiscent of early filmic double
exposures, figure, face and landscape morph into each other in the
work of Glasgow born Kaye Donachie.
GSA Exhibitions has looked at figurative painting in order to
explore one of the subjects that art school students can be
perennially drawn to as they develop their practice. We wanted to
curate an exhibition that looked at how painters today work with
and more importantly, subvert, the expectations of this genre.
With thanks to Corvi Mora; Hollybush Gardens; Maureen Paley,
London; Rokeby Gallery and Victoria Miro.